Extravagant
from the ongoing project "Pride Disguised as Shame: Queer Stories of the Western World"
Yesterday, I
looked in the mirror, and I saw myself as a drag queen. I was standing tall and
proud, admiring my fine jaw line and how it combined with my strong cheekbones.
My eyes, heavy with black eyeliner smiled, as if they had life on their own,
and I had the femininity of Catherine Z Jones trapped in a torso of wide
shoulders and long and strong neck
muscles. I was as good as a model, just taller, a little more built: more
fabulous! There I stood, queer and extravagant. I turned around and the
reflection of my whole body shined in the mirror. I put my hands in my waist
and leaned over to wink to my own reflection. My legs, shaved: What a wonderful
length to be covered in sequins and feathers and improved with sparkly shoes! All of the sudden, I saw myself with the
posture and the dress of the Spanish “Maja,” tapping firmly with the shiny red
high-heel shoes. My dress was red, like the color of passion, of sin, and lipstick.
I could feel the fiery taffeta wrapping my best curves with zeal, and I feel
the embroidery at the end of the skirt like a divine aura. I allowed my imagination to keep on
beautifying my inner queen, and then before I knew, this woman in the mirror
was not only dancing for herself but moving, flowing under a spotlight in the
middle of a stage.
People praised her
– praised me! What a show I was putting. First, I could tap my feet gracefully
and harmoniously with the music of guitars. After a transformation, I had curly
and abundant blonde hair, and I could lip-synch perfectly to the sound of Cher
and Kylie. My performance put to shame
the regent drag queen in the back of the bar. She grabs the microphone and
mocks my leather leggings in return for her humiliation. She calls me a cheap
slut. I grab the microphone and reply that I wish I knew the brand of the strap
she uses to hide her penis since I’ll try to avoid it at all costs. “And guuuurl, I hope the bar has a regent
psychologist because what a trauma we all have from seeing that thing sticking
out. Ew.” I’ve burned her deeply since
the audience is uniformly mocking the slight protuberance she shows in her
groin. I’ve won. The night and the crowd are mine. I am a queen and I have
become extravagant.
The daydream takes
me to an unwanted place. It takes me behind curtains, once the show is over. I
am getting rid of the wigs and the makeup, just that nothing really comes out.
I had to stay as a woman. I do not really care, and I take all the glam of the
scene into the streets. I notice people giving me dirty looks. I’m not deaf,
and I can hear the slur on the streets. Oh, lucky me! The sound of the high
heels pounding the floor with a regal rhythm makes the music of the march of an
empress. Commoner’s opinion are to be dismissed; oh honey! They wish their
woman walked like this, with the stride of a Victoria’s Secret Model and the
swagger of a siren.
When the time
comes to go back to the scene, I see how many people greet me with a smile, but
butcher me with their eyes once they think I’ve stopped looking. Some others
show their contempt for my shape right on my face, which I at least appreciate.
“Bitch, you wish you were this fabulous.” I know these things happen. You would
expect the scene to be all rainbows and smiles, but here I’ve been hurt even
stronger than outside. Some gay guys like us when we make really mean jokes.
Some others only approach when we show up with free shots or when I’m on the
stage giving free dinners in a fancy restaurant to whoever loses the most
clothes – it should concern the sponsors, not me. It’s yet another shift as a
courtesan in straps and glitter, as the one who lights up the carnival at the
cost of a bit of her own spirit every time.
This woman comes
to a life of her own, and I am just witness of her doings. After every show, she doesn’t loose her wig
or remove her make up. She’s gone home now and she’s got someone waiting for
him. She opens the door for a man shorter than she is. She allows him to get
out of her life during daylight, while she goes back to be a male but only in
the outside, as she looks herself in the mirror as woman most of the times. And
she dreams of love, she dreams of her lover in pictures bright with sunlight
and the invisible aura of happiness in them. She dreams of something she does
not want to pursue, however. She dreams of waking up with him every day but in
reality, she dismisses him every night just with a wave under the light rain
that gives golden sparkles to a tingly road in a pale blue alley. She belongs
to the stage. She belongs to the scene. She belongs to her newly found
womanhood which allows her to be the queen of the night: the most extravagant.
She has made up
memories to cover the bullying and the scorn of the first years of life. She
remembers a school girl in its tiny flowing dress and high socks wanting to
prance around instead of walking, the waist reduced some sizes and the hands
gesticulating and spreading fairy dust. And the street was inclined and the
girl grew up to become as regal as Beyonce, wearing a very tight sleeved golden
dress; and I am, again, her, running down the runway. This woman I see is extravagant, and it is me,
and it lives not on the spotlight but in the cage I have built for her.
Now, again, it is
me, stoned in front of the mirror, playing with some eyeliner some female guest
might have left behind.
-What a bunch of
crap! – I protest.
I removed quickly
the eyeliner. Without looking again at the mirror, I got out of my restroom and
rejoined my friends in the living room. We picked up the conversation where we
left it: guy’s stuff.
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